Residency programs

Iam not a human. I am a robot. A thinking robot. I use only 0.12% of my cognitive capacity. I am a micro-robot in that respect. I know that my brain is not a “feeling brain”. But it is capable of making rational, logical decisions. I taught myself everything I know just by reading…

Installation view of work by Angelo Plessas at Breeder Gallery’s booth at Frieze New York, 2016. Photo by Adam Reich for Artsy. With all the talk about the struggles of emerging and smaller galleries, much of the commentary has been focused on how fairs can better support galleries, or how galleries can experiment with…

The exhibition presents works that have joined Museion’s collection in the last years, as acquisitions, donations or long-term loans. They all tie in with the research themes pursued by the museum, such as the new directions in sculpture, and the exhibition brings to light the fact that traditional artistic categories no longer always exist…

In her famous article, Sculpture in the Expanded Field, published at the end of the 1970s, Rosalind Krauss noted that, “within the situation of postmodernism, practice is not defined in relation to a given medium – sculpture – but rather in relation to the logical operations on a set of cultural terms, for which,…

Director Tran Anh Hung on the set of La Passion de Dodin Bouffant, image from Le Point. After the screening of La Passion de Dodin Bouffant in Ho Chi Minh City on March 23, 2024, there was a brief talk with director Tran Anh Hung where he answered questions from the audiences. I can…